Peggy Ann Garner

 

Peggy Ann Garner

Peggy Ann Garner

Peggy Ann Garner was born February 3, 1932 in Canton, Ohio to English-born attorney William H. Garner, who served as a U.S. Army officer during World War II and his wife Virginia. With their marriage failing, the strong willed Virginia moved to Hollywood with her daughter Peggy Ann. There Garner made her first film appearance (uncredited) at the age of six in “Little Miss Thoroughbred” (1938). Over the next few years Garner appeared in several more films, including “Jane Eyre” (1943) and “The Keys of the Kingdom” (1944). In 1945 she showed she could also handle comedy by giving a fine performance in “Junior Miss”. Peggy Ann Garner reached the height of her success at the age of thirteen in “A Tree Grows in Brooklyn” (1945), winning an Academy Juvenile Award largely for this performance. Bob Hope presented Garner her Oscar on March 7, 1946 at the 18th Academy Awards held at the Grauman’s Chinese Theater in Hollywood.

 

Peggy Ann Garner in “A Tree Grows in Brooklyn” (1945)

Peggy Ann Garner in “A Tree Grows in Brooklyn” (1945)

 

After years of separation and estrangement, her parents were divorced in 1947. Garner, who had a falling out with her mother, went to court to have her father appointed as her guardian. Unable to make a successful transition into adult film roles Garner moved back to New York to study with the Actor’s Studio and try her talents on Broadway. She appeared on stage with Dorothy Gish in “The Man” in 1950, “A Royal Family” in 1951, “Home is the Hero” in 1954, and was in the road company of “Bus Stop” in 1955. Garner received Harvard’s Hasty Pudding Award for Woman of the Year in 1956 given by the Hasty Pudding Theatricals society at Harvard University to performers deemed to have made a “lasting and impressive contribution to the world of entertainment.”

 

Peggy Ann Garner and Elizabeth Taylor in "Jane Eyre" (1943)

Peggy Ann Garner and Elizabeth Taylor in “Jane Eyre” (1943)

 

During this time Garner also guest-starred steadily in television roles from the early 1950s through the 1960s. Among her many television roles included appearances in “The Ford Theatre Hour”, “Lux Video Theatre”, “Schlitz Playhouse”, “Robert Montgomery Presents”, “Zane Grey Theater”, “The Man from U.N.C.L.E.”, “Bonanza”, and “The Outer Limits”. Garner was also a regular panelist on the NBC television series, “Who Said That?”, along with H. V. Kaltenborn and Boris Karloff. In 1978, Garner surprised film audiences after a decade away from any feature film when she appeared as the pregnant aunt of the bride ‘Candice Ruteledge’ in the critically acclaimed Robert Altman film, “A Wedding” (1978). Her final screen performance was a small uncredited role in a 1980 made-for-television feature “This Year’s Blonde”.

 

Peggy Ann Garner  1945 portrait

Peggy Ann Garner 1945 portrait

 

Peggy Ann Garner was married three times. Her first marriage was to singer/game show host Richard Hayes. They were married on February 22, 1951 and divorced October 13, 1953. Her second marriage was to Albert Salmi on May 16, 1956. Garner and Salmi had one child together, a girl, Catherine Ann Salmi. The couple divorced March 13, 1963. Garner’s final marriage was to Kenyon Foster Brown on August 7, 1964. After a few years, that marriage also ended in divorce in 1968.

 

Peggy Ann Garner in the stage adaptation of Bus Stop (c. 1956)

Peggy Ann Garner in the stage adaptation of Bus Stop (c. 1956)

 

Peggy Ann Garner died from pancreatic cancer on October 16, 1984 at the age of 52.

 

Peggy Ann Garner with her Academy Juvenile Award for "A Tree Grows In Brooklyn" (1945)

Peggy Ann Garner with her Academy Juvenile Award for “A Tree Grows In Brooklyn” (1945)

 

Ted Donaldson, Joan Blondell and Peggy Ann Garner in "A Tree Grows in Brooklyn" (1945)

Ted Donaldson, Joan Blondell and Peggy Ann Garner in “A Tree Grows in Brooklyn” (1945)

 

Peggy Ann Garner with Johnny Sheffield in a promo for "Bomba, the Jungle Boy" (1949)

Peggy Ann Garner with Johnny Sheffield in a promo for “Bomba, the Jungle Boy” (1949)

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Happy New Year 2015

HAPPY NEW YEAR!!

 

Bing Crosby, Marjorie Reynolds, Fred Astaire
and Virginia Dale in “Holiday Inn” (1942)

 

Bing Crosby, Marjorie Reynolds, Fred Astaire and Virginia Dale in Holiday Inn (1942)

Bing Crosby, Marjorie Reynolds, Fred Astaire and Virginia Dale in “Holiday Inn” (1942)

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Margaret Brooke Sullavan (May 16, 1909 – January 1, 1960) was an American stage and film actress who preferred working on the stage, making only sixteen movies during her Hollywood career.

 

Margaret Sullavan

Margaret Sullavan

Margaret Sullavan was born May 16, 1909 in Norfolk, Virginia to Cornelius Sullavan, a wealthy stockbroker, and his wife, Garland Brooke. Sullavan attended boarding school at Chatham Episcopal Institute (now Chatham Hall), where she was president of the student body and delivered the salutary oration in 1927. Sullavan moved to Boston and lived with her half-sister, Weedie, where she studied dance at the Boston Denishawn studio and (against her parents’ wishes) drama at the Copley Theatre. When her parents cut her allowance to a minimum, she defiantly paid her way as a clerk in the Harvard Cooperative Bookstore (The Coop), located in Harvard Square, Cambridge. Sullavan began her acting career onstage in early 1929 in a Harvard Dramatic Society musical production entitled Close Up. In the summer of 1929 she made her debut on the professional stage appearing opposite Henry Fonda in The Devil in the Cheese. Sullavan made her debut on Broadway in A Modern Virgin (a comedy by Elmer Harris), on May 20, 1931. After appearing in several Broadway productions Sullavan replaced another actor in Dinner at Eight in March of 1933. Movie director John M. Stahl happened to be watching the play and decided Sullavan would be perfect for a picture he was planning, “Only Yesterday” (1933). Sullavan had already turned down offers from Paramount and Columbia for five-year contracts, but when Stahl offered her a three-year, two-pictures-a-year contract with MGM at $1,200 a week, she accepted it and had a clause put in her contract that allowed her to return to the stage on occasion. Sullavan would continue to only sign short-term contracts because she did not want to be “owned” by any studio. After making “Only Yesterday” Sullavan would go on to make only sixteen movies during her Hollywood acting career, four of which were opposite James Stewart including the popular classic “The Shop Around the Corner” (1940) and “Three Comrades” (1938) for which she was nominated for an Academy Award for Best Actress for her performance. Sullavan’s other movies of note include the profitable and successful WWII drama “Cry Havoc” in 1943 and “Back Street” (1941) which was lauded as one of the best performances of Sullavan’s Hollywood career. Sullavan retired from the screen after making “Cry Havoc”, but returned in 1950 to make her last movie, “No Sad Songs for Me” (1950), in which she plays a woman who is dying of cancer. For the rest of her career Margaret Sullavan would only appear on the stage appearing in several shows on Broadway and in London, England.

 

Margaret Sullavan

Margaret Sullavan


 

When I really learn to act, I may take what I have learned back to Hollywood and display it on the screen”, Sullavan once said in an interview in October 1936, “but as long as the flesh-and-blood theatre will have me, it is to the flesh-and-blood theatre I’ll belong. I really am stage-struck. And if that be treason, Hollywood will have to make the most of it”

 

Margaret Sullavan

Margaret Sullavan


 

Margaret Sullavan was married four times. Her first marriage was to Henry Fonda on December 25, 1931 in Baltimore, while both were performing with the University Players in its 18-week winter season there. The marriage lasted only two months and the couple divorced.
In late 1934, Sullavan married William Wyler, the director of her next movie, “The Good Fairy” (1935). This second marriage lasted just over a year and they divorced in March 1936.
Sullavan’s third husband was agent and producer Leland Hayward. Hayward had been Sullavan’s agent since 1931 and their relationship had been deepening all through 1936. The couple had already become lovers, and Brooke, their “love child”, had been conceived that October. They both wanted the baby and married on November 15, 1936. Sullavan and Hayward would have three children together; Brooke in 1937, Bridget in 1939, and Bill in 1941. The marriage lasted eleven years and ended in 1947 when Sullavan discovered that Hayward was cheating on her with New York socialite and fashion icon Slim Keith.
Her fourth and final marriage was to English investment banker Kenneth Wagg. The couple stayed married until her death in 1960.

 

Margaret Sullavan with Walter Pidgeon and James Stewart in "The Shopworn Angel" (1938)

Margaret Sullavan with Walter Pidgeon and James Stewart in
“The Shopworn Angel” (1938)


 

In her later life Margaret Sullavan experienced increasing hearing and health problems, depression, and mental frailty in the 1950s. She died of an overdose of barbiturates, which was ruled accidental, on January 1, 1960 at the age of 50. On January 1, 1960, Sullavan was found in bed, barely alive and unconscious, in a hotel room in New Haven, Connecticut. She was rushed to the hospital but died shortly after arrival. No note was found to indicate suicide, and no conclusion was reached as to whether her death was the result of a deliberate or an accidental overdose. The county coroner officially ruled Sullavan’s death an accident. After a private memorial service was held in Greenwich, Connecticut, Margaret Sullavan was interred at Saint Mary’s Whitechapel Episcopal Churchyard in Lancaster, Virginia.

 

Margaret Sullavan with Franchot Tone, Robert Taylor, and Robert Young from "Three Comrades" (1938)

Margaret Sullavan with Franchot Tone, Robert Taylor, and
Robert Young from “Three Comrades” (1938)


 

For her contribution to the motion picture industry, Margaret Sullavan has a star on the Hollywood Walk of Fame located at 1751 Vine Street. She was inducted, posthumously, into the American Theatre Hall of Fame in 1981.

 

Margaret Sullavan with James Stewart in "The Mortal Storm" (1940)

Margaret Sullavan with James Stewart in “The Mortal Storm” (1940)

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Lynn Baggett (May 10, 1923 – March 22, 1960) was a little known ill-fated actress who had roles in twenty-four movies during her brief ten year Hollywood career.

 

Lynn Baggett

Lynn Baggett


 

Lynn Baggett was born on May 10, 1923 in Wichita Falls, Texas, USA. Baggett was discovered by a top Warner Brothers talent scout on her way to a department store in July 1942 and subsequently signed to a three-year contract. After her Warner Brothers contract was up, Baggett moved to Universal in late 1946. Baggett appeared in twenty-four movies during her brief ten year Hollywood career (1941-1951), including roles in “D.O.A.” (1950), “The Flame and the Arrow” (1950) and “The Time of Their Lives” (1946). Baggett never reached stardom and her last movie role was in “The Mob” in 1951.

 

Lynn Baggett

Lynn Baggett


 

Lynn Baggett is probably most well known for her marriage to “On The Waterfront” producer, Sam Spiegel, who was twenty years her senior. The couple married on April 10, 1948 but separated after only four years and finally divorced on March 31, 1955.

 

Lynn Baggett

Lynn Baggett


 

In July of 1954 Lynn Baggett was charged in the hit-and-run death of a nine year old boy. The car she was driving had been loaned to her by actor George Tobias (Mr. Kravits from “Bewitched”). After the accident she fled the scene but turned herself in three days later. In December that same year, Baggett was sentenced to sixty days in county jail and placed on three years probation.

 

Lynn Baggett

Lynn Baggett


 

Following the tragic accident and her bitter divorce from Spiegel the following spring, her life quickly spiraled downward. Baggett attempted suicide by overdosing on sleeping pills in June 1959. Later that year she was found suffering from paralysis due to drug addiction and diagnosed as a ‘chronic depressed neurotic’. Baggett was then admitted for short time as a patient in a sanitarium for observation and then released. On March 22, 1960 Lynn Baggett was found dead in her apartment from an apparent overdose of barbiturates in Hollywood, California at the age of 36.

 
Lynn Baggett Dies, Pills At Her Side -- news article from LA Times about Lynne Baggett's death March 22, 1960.
 

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On the set of
“There’s No Business Like Show Business” (1954)

 

“There’s No Business Like Show Business” is a 1954 20th Century-Fox musical-comedy-drama starring Ethel Merman, Dan Dailey, Donald O’Connor, Mitzi Gaynor, Marilyn Monroe, Richard Eastham, and Johnnie Ray. The film was directed by Walter Lang and written by Lamar Trotti (story) and Phoebe Ephron and Henry Ephron with music by Irving Berlin. “There’s No Business Like Show Business” was filmed in CinemaScope and DeLuxe Color.

 

Director Walter Lang and Mitzi Gaynor on the set of "There's No Business Like Show Business" (1954)

Director Walter Lang and Mitzi Gaynor on the set of “There’s No Business Like Show Business” (1954)

 

Irving Berlin visits with Marilyn Monroe on the set of "There's No Business Like Show Business" (1954)

Irving Berlin visits with Marilyn Monroe on the set of “There’s No Business Like Show Business” (1954)

 

Ethel Merman visits with Ceasar Romero on the set of "There's No Business Like Show Business" (1954)

Ethel Merman visits with Ceasar Romero on the set of “There’s No Business Like Show Business” (1954)

 

Johnnie Ray and director Walter Lang on the set of "There's No Business Like Show Business" (1954)

Johnnie Ray and director Walter Lang on the set of “There’s No Business Like Show Business” (1954)

 

Marilyn Monroe and Donald O’Connor on the set of "There’s No Business Like Show Business" (1954)

Marilyn Monroe and Donald O’Connor on the set of “There’s No Business Like Show Business” (1954)

 

Mitzi Gaynor, Marilyn Monroe, Ethel Merman and Dan Dailey relax on the set of "There's No Business Like Show Business" (1954)

Mitzi Gaynor, Marilyn Monroe, Ethel Merman and Dan Dailey relax on the set of “There’s No Business Like Show Business” (1954)

 

Johnnie Ray, Mitzi Gaynor, Dan Dailey, Ethel Merman, Donald O´Connor and Marilyn Monroe preparing for the big number on the set of "There's No Business Like Show Business" (1954)

Johnnie Ray, Mitzi Gaynor, Dan Dailey, Ethel Merman, Donald O´Connor and Marilyn Monroe preparing for the big number on the set of “There’s No Business Like Show Business” (1954)

 

Marilyn Monroe gets hair and make-up touch ups on the set of "There's No Business Like Show Business" (1954)

Marilyn Monroe gets hair and make-up touch ups on the set of “There’s No Business Like Show Business” (1954)

 

Marilyn Monroe  on the set of "There's No Business Like Show Business" (1954)

Marilyn Monroe on the set of “There’s No Business Like Show Business” (1954)

 

Marilyn Monroe relaxes between scenes on the set of "There's No Business Like Show Business" (1954)

Marilyn Monroe relaxes between scenes on the set of “There’s No Business Like Show Business” (1954)

 

Marilyn Monroe outside her trailer during the filming of "There’s No Business Like Show Business"  (1954)

Marilyn Monroe outside her trailer during the filming of “There’s No Business Like Show Business” (1954)

 

Marilyn Monroe wardrobe fitting and photo for "There’s No Business Like Show Business" (1954)

Marilyn Monroe wardrobe fitting and photo for “There’s No Business Like Show Business” (1954)

 

Donald O'Connor and Marilyn Monroe at the premiere of "There's No Business Like Show Business" (1954)

Donald O’Connor and Marilyn Monroe at the premiere of “There’s No Business Like Show Business” (1954)

 

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